![]() ![]() ![]() “So today I got to experience The Slave Castle in Cape Coast! It’s wildddddd seeing how they did our ancestors! Treated them worst than animals!!” the post’s caption said. The sixth slide, however, takes quite the turn, with four women bending over to do the provocative twerk dance that has been embraced by younger generations. ![]() The post stands in stark contrast to the other celebratory posts from the trip, with multiple slides showing a woman looking somber as well as video footage of one of the dungeons where slaves were kept. One post, in particular, was filmed at the Cape Coast Castle, and showed multiple photos and videos from the historical location. Most of the posts from the trip show khaparisdiorrr along with her apparent friends and family enjoying themselves during festivities in the West African country. The Instagram account for khaparisdiorrr - which touts Memphis and Atlanta in its bio and identifies itself in part as being operated by the CEO of a website that sells lingerie - has multiple posts documenting a recent, possibly ongoing trip to Africa, apparently as part of a birthday celebration for a Black American woman. The duo is currently backed by a solid quartet of musicians that add depth to each song, yet it would be thrilling to have a segment of each show with just Auerbach and Carney together, harking back to their explosive early performances.The footage from Cape Coast Castle in Ghana – apparently recorded on Juneteenth – was reposted elsewhere on social media with a disproportionate number of responses claiming that twerking at such a location is “disrespectful.” But the person whose social media account first posted the footage is pushing back on that notion. Their boundless enthusiasm kept deeper cuts like “Wild Child,” “Fever” and new single “Beautiful People (Stay High)” hurtling along. Auerbach is bathed in rawk energy, his sunglasses hiding the soul in his honeyed vocals, with guitar solos perfectly fitting the tunes. The tall Carney is all limbs behind a minimal kit, playing exactly what the song needs, thumping away with a sense of dynamics that many drummers bash through without a care. Given how the Black Keys’ music harkens back to a simpler time of rock ‘n’ roll, Auerbach and Carney are formidable musicians, creating a gorgeous racket that, at its best, always seems on the verge of chaos. Opening with the loud and crashing “I Got Mine,” the band reveled in some of their primal songs, which allowed them to open up and experiment with their musicianship live. Yet things got even more electric whenever Auerbach promised to take the crowd “down to the basement,” pulling out their deeper cuts with heavier licks. Focused on vibes instead of exactly recreating their records, the pair breathed fresh life into their biggest hits: “Gold on the Ceiling,” “Howlin’ for You,” “Tighten Up” and encore closer “Lonely Boy,” all of which turned into singalongs. Frontman Dan Auerbach and drummer Patrick Carney’s silent communication seemed as sharp as ever, as their performances of the songs felt both warmer and dirtier in concert. ![]() In one of their first shows since announcing their upcoming twelfth album, “Ohio Players,” the Akron duo seemed energized by the prospect of an upcoming record - and, likely, a tour to go along with it. ![]()
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